FLUXUS EXPERIENCE HANNAH HIGGINS PDF

Related Books About the Book In this groundbreaking work of incisive scholarship and analysis, Hannah Higgins explores the influential art movement Fluxus. Daring, disparate, contentious—Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers, even experiences resembling sensory assaults, as affirming transactions between self and world. Fluxus began in the s with artists from around the world who favored no single style or medium but displayed an inclination to experiment. Two formats are unique to Fluxus: a type of performance art called the Event, and the Fluxkit multiple, a collection of everyday objects or inexpensive printed cards collected in a box that viewers explore privately.

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Start your review of Fluxus Experience Write a review Shelves: books-bought In my head, when I first saw this book cover, I was hoping that "Fluxus Experience" would be more of a memoir by Hannah Higgins, the daughter of Dick Higgins and Alison Knowles, two important post-war artists.

This is not the case. Also a critique of the educational world that surrounds the subject matter of Fluxus. And roughly the years match up with mine.

But no law says a child of an art couple associated with Fluxus cannot write a serious book on Fluxus. As an introduction to Fluxus, the book is perfectly fine.

But it does read like an academic paper, and since it is published by a University Press, that makes perfect sense. The book is beautifully designed, with fascinating black and white images of both the works of art as well as the artists performing their works. The book reads like an introduction to a catalog to an exhibition. I would like to see that show. Jun 01, Sergiy Holmer rated it it was amazing Brilliant point of view on Fluxus.

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Hannah Higgins

Daring, disparate, contentious—Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers, even experiences resembling sensory assaults, as affirming transactions between self and world. Fluxus began in the s with artists from around the world who favored no single style or medium but displayed an inclination to experiment. Two formats are unique to Fluxus: a type of performance art called the Event, and the Fluxkit multiple, a collection of everyday objects or inexpensive printed cards collected in a box that viewers explore privately. Although it was commonly associated with political and cultural activism in the s, Fluxus struggled against being pigeonholed in these too-prescriptive and narrow terms. Higgins, the daughter of the Fluxus artists Alison Knowles and Dick Higgins, makes the most of her personal connection to the movement by sharing her firsthand experience, bringing an astounding immediacy to her writing and a palpable commitment to shedding light on what Fluxus is and why it matters.

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